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Padre Steve’s Horrific Humor: Young Frankenstein

Horror and comedy, like peanut butter cups they are two great tastes that go great together. I think that the funniest of this genre are those based on the classics such as Frankenstein and Dracula. There are other films that fit this category such as Love at First Bite a Dracula film set in the late 1970s staring George Hamilton, Jill St. John and Arte Johnson.  Other twists on the Dracula story is Mel Brooks Dracula Dead and Loving It which starred Leslie Nielsen, Peter McNichol, Harvey Korman and Amy Yasbeck and Once Bitten starring Lauren Hutton.  I also like some that are new creations in their own right such as Ghostbusters.  However, for me the film that is the real classic among all of them is Young Frankenstein. So in the spirit of Halloween I submit to you Padre Steve’s favorite all-time Horror Comedy Young Frankenstein.

Of course the first on my list is Mel Brooks classic Young Frankenstein which came out in 1974, the same year as Brooks’ other classic of Western filmography Brazing Saddles. Young Frankenstein is the classic humorous take on the Mary Beth Shelley Frankenstein novel and subsequent films.  It starred Gene Wilder, Madeline Kahn, Marty Feldman, Terry Garr, Cloris Leachman and the late Peter Boyle as the Monster Brooks. Brooks used the original set from the original Frankenstein and brought the Frankenstein saga a hilarious twist. It is hard to forget some of the great scenes such as when Dr. Frankenstein discovers that he has implanted an abnormal brain in the monster, and the subsequent game of charades as Inga and Igor try to guess what the Doctor wants as he struggles in the grasp of the Monster “give him a sedagive.” http://www.youtube.com/watch?v=wP5Gcuwp2Sg Of course after a “sedative” has been administered the conversation between the Dr. Frankenstein and Igor is classic.  The Doctor sits down and questions Igor about the brain about the brain and Igor tells the Doctor that the brain belonged to “Abby someone, Abby Normal.”  http://www.youtube.com/watch?v=dQ_pKqiB5Rg

There is the scene where the Monster escapes and comes to a small house where a blind monk played by Gene Hackman awaits.  The monk offers the Monster hospitality which turns into a horror story with the Monster as the victim.  The Monster has hot soup spilled on his lap, his mug of wine shattered and finger set afire by the well meaning monk and runs out in terror.  http://www.youtube.com/watch?v=cw2IIU0a9qw&feature=related

Of course there all of the one-liners and gags interspersed through the film at a cyclic rate which leave the audience laughing.  I remember seeing the film for the first time when it came out in 1974 in Stockton California.  The opening scene where someone opens the crypt of the elder Dr. Frankenstein to retrieve his diary and has to fight the skeleton is just the beginning of the fun.  The fun continues with the young Dr. Frankenstein, a neurosurgeon saying that his name was pronounced “Fronkensteen” rather than Frankenstein when questioned by a medical student about his grandfather’s experiments.  One can’t forget the scene in the graveyard when the Doctor and Igor are digging up the body of the monster.  When the Doctor complains Igor utters the immortal line “it could be worse it could be raining” which of course was followed by a thunderclap and downpour.

http://www.youtube.com/watch?v=GHb7DJDCptA&feature=related

Of course we cannot leave out Cloris Leachman as Frau Blucher and every time that her name was said that the horses would “whiney.” http://www.youtube.com/watch?v=y-wTbNIsopg&feature=related

Then there is the sequence after Doctor Frankenstein’s arrival in Transylvania and rides to his castle with Igor and Inga.  The Doctor hears a wolf howling in the distance and asks “Werewolf” and Igor answers “there wolf.” http://www.youtube.com/watch?v=gQQtgx4iG8E&feature=related This sequence of course includes the part where Inga asks Doctor Frankenstein about having a “roll in the hay” http://www.youtube.com/watch?v=vqClWdOcWog&feature=related and their arrival at the castle.  Dr. Frankenstein sees a large set of door knockers as he is lifting Inga off the wagon saying “what knockers” and Inga answering “well thank you Doctor.” http://www.youtube.com/watch?v=t9K9wiH2Lko

Likewise there is the segment where Madeline Kahn playing Dr. Frankenstein’s fiancé Elizabeth is abducted by the Monster. The Monster has fallen in love with her as he takes her she discovers something that leaves her singing “oh sweet mystery of life at last I’ve found you.”

http://www.youtube.com/watch?v=t9K9wiH2Lko

Of course this is followed at the end of the film when the newlywed Doctor and Inga are in their bedroom and she asks him what he received from the Monster and then begins to sing “oh sweet mystery of life at last I’ve found you” when she discovers exactly what her husband received from the Monster.

This has to be one of the greatest horror-comedies of all time if not the very best.  Everything from the sets to the gags and great interactions among the characters makes this one of the greatest if not the greatest film of its genre ever made. The film is so stocked with great lines and scenes that there are too many to mention here, so if you never have seen this comedy classic go get it.

So Happy Halloween my friends and in the midst of all the blood and gore films, have a good laugh with Young Frankenstein.

Peace.

Padre Steve+

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Laughing to the Music: The Musical Genius of Mel Brooks

The Zany Mel Brooks as the Governor in Blazing Saddles

When most people think of legendary comedian Mel Brooks they are likely to think of the hilarious shtick of such movies as Blazing Saddles, Young Frankenstein and Spaceballs, the Movie, DVD or Video. Brooks is a comic genius but mixed in with the comedic side of Brooks he has a musical side that captures some of the most popular genres of yesteryear and overlays them with incredibly witty lyrics and catchy music.  Whether the music is Broadway musical, crooning, or even something out of the old west brooks brings a comedic edginess that can offend and delight at the same time. Today I will share a bit about the songs and soundtracks from the various Brooks films interspersed with the songs from the films.

Teri Garr, Gene Wilder and Marty Feldman in Young Frankenstein

Now I know that some people will say and rightly so that I am just a bit warped in my worldview.  I’m okay with that, in fact I would hate not to be as I think that life would be boring.  Maybe that is why I like Brooks so much.  He demonstrates that rare form of being able to entertain and even provide social commentary on issues like racism and discrimination in Blazing Saddles.  Part of how he did this so successfully was in the music that he often wrote for his movies.  It is one of those unusual things that most people, even Brooks aficionados have no idea that Brooks was the genius behind the music in his movies.

As for me I love Brooks’ music as well as his comedy.  I can practically sing from memory the major songs of each of his movies and frequently will find that I am inadvertently singing them going down a hallway at work or in the car. Some Priests sing hymns or praise and worship songs, I sing Mel Brooks songs. C’est la vie.

Springtime for Hitler 1968

The first film that Brooks music featured prominently was the original The Producers starring Zero Mostel, Gene Wilder and Dick Shawn which was reprised on Broadway and later on the big screen with Nathan Lane, Matthew Modine and Will Ferrell. The original Producers involved a Broadway producer who has seen better days (Mostel) and his new tax accountant (Wilder) trying to find the “world’s worst play” to produce as a flop which they would then keep the money raised for the play.  They find their play written by former German Soldier Franz Liebkind the author of Springtime for Hitler “a gay romp with Adolph and Eva at Berchesgarten.”  They hire the world’s worst director “Roger DeBris” to direct the play and raise a huge amount of money to produce it by selling well far more than 100% of the profits.  Expecting the play to offend everyone they begin an early celebration before finding out that people love the play. The play becomes a critically acclaimed hit leading them to try to blow up the theater.  The music of Brooks is prominently featured in all three. The irony of producers producing a guaranteed flop which becomes a hot on the big screen and then a real hit on Broadway is not to be lost.  The theme song from the play Springtime for Hitler both in 1968 http://www.youtube.com/watch?v=ZGp0hCxSg98 and the later version http://www.youtube.com/watch?v=WCUfkMkVbwo also found its way into Blazing Saddles.

Springtime for Hitler 2005

As an interesting side note Brooks has a cameo during the song in both versions where as a member of the cast he sings “Don’t be stupid, be a smarty come and join the Nazi Party.” The Producers also featured more Brooks’ songs including Love Power sung by Dick Shawn playing Lorenzo St. Dubois or LSD http://www.youtube.com/watch?v=BkYBJId7WZs Prisoners of Love featured in both the 1968 and the 2005 versions and When You Got it Flaunt it, I Want to Be a Producer and Keep it Gay all from the 2005 version are classic show tunes.

Cleavon Little and Gene Wilder as Sheriff Bart and the Waco Kid in Blazing Saddles

The Producer’s netted Brooks an Oscar for Best Original Screenplay.  Brooks’ next two hit films Blazing Saddles and Young Frankenstein both featured interesting musical arrangements, The most memorable coming from Blazing Saddles which starred Cleavon Little, Gene Wilder, Harvey Korman and Madeline Kahn.  The songs Blazing Saddles http://www.youtube.com/watch?v=7tyhpt6_pwc the Ballad of Rock Ridge http://www.youtube.com/watch?v=WiTKIbR69ss

Madeline Kahn as Lilly Von Schtupp singing “I’m Tired”

I’m Tired http://www.youtube.com/watch?v=cQU0_PHUB2E and the French Mistake featuring Dom DeLuise http://www.youtube.com/watch?v=JMK6lzmSk2o are all Brooks’ work.

The French Mistake Musical Scene from Blazing Saddles

He even managed to take an old tune into Young Frankenstein where Gene Wilder and Peter Boyle as Dr Frankenstein and the monster perform Puttin’ on the Ritz http://www.youtube.com/watch?v=VH2nQHPs4aA.

Dr Frankenstein and the Monster (Wilder and Peter Boyle) singing “Puttin’ on the Ritz”

Brook’s next film’s High Anxiety, a takeoff on Hitchcock movies starring Brooks, Harvey Korman, Madeline Kahn and Cloris Leachman feature Brooks’ songs High Anxiety http://www.youtube.com/watch?v=Ki_UcRmELvs and If You Love Me Tell Me Loud. History of the World Part I which starred Brooks, Kahn, Korman and a host of comic greats would incorporate music is ways undreamed of by those who viewed these films.

The Inquisition from History of the World Part One

In fact the musical segment The Spanish Inquisition featured the song The Inquisition http://www.youtube.com/watch?v=oppHeMlaLVM where Brooks plays the Spanish Inquisitor Torquemada in a spoof of the 1930s musical featuring dancing monks in wink tips, nuns who perform a synchronized swimming number as well as banter between Brooks and the various Jews and heretics that he is trying to convert. The irony of course being that Brooks is Jewish.  The closing song Jews in Space http://www.youtube.com/watch?v=-_jLnrUXJNM is the trailer for a sequel which was never produced. In Spaceballs Brooks collaborated with others to produce the title song Spaceballs http://www.youtube.com/watch?v=ezyoKr0v-HQ which was performed by The Spinners.

Men in Tights

Brooks would continue making movies which though not as popular brilliant as his earlier works would feature some funny songs written by Brooks.  Robin Hood: Men in Tights featured Men in Tights http://www.youtube.com/watch?v=pc1am3KyYgA , Marian and the Sherwood Forrest Rap http://www.youtube.com/watch?v=APTXBm5Zp-Y The 1983 film To Be or Not to Be in which Brooks starred with his wife Anne Bancroft was about the Nazi invasion of Poland featured the Brooks songs A Little Peace and Ladies. A music video for this film entitled The Hitler Rap http://www.youtube.com/watch?v=yu2NqfISm9k was released as part of the promotion for the film.

Hitler as a polish Jew playing Hitler in a Parody in pre-War Warsaw in To Be or Not to Be

I don’t know that we will ever see a comedic genius who is able to also incorporate music, especially classic Broadway style show tunes in about every movie that they make.  Brooks in my mind is one of those once in a blue moon kind of entertainers whose creativity is not bound by words or gags but crafted through a diverse experience of live performance, film, writing and producing taking comedy to places where his edginess and occasional social commentary was heard and appreciated by middle America.  That is the genius of Mel Brooks.

Peace,

Padre Steve+

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