When most people think of legendary comedian Mel Brooks they are likely to think of the hilarious shtick of such movies as Blazing Saddles, Young Frankenstein and Spaceballs, the Movie, DVD or Video. Brooks is a comic genius but mixed in with the comedic side of Brooks he has a musical side that captures some of the most popular genres of yesteryear and overlays them with incredibly witty lyrics and catchy music. Whether the music is Broadway musical, crooning, or even something out of the old west brooks brings a comedic edginess that can offend and delight at the same time. Today I will share a bit about the songs and soundtracks from the various Brooks films interspersed with the songs from the films.
Now I know that some people will say and rightly so that I am just a bit warped in my worldview. I’m okay with that, in fact I would hate not to be as I think that life would be boring. Maybe that is why I like Brooks so much. He demonstrates that rare form of being able to entertain and even provide social commentary on issues like racism and discrimination in Blazing Saddles. Part of how he did this so successfully was in the music that he often wrote for his movies. It is one of those unusual things that most people, even Brooks aficionados have no idea that Brooks was the genius behind the music in his movies.
As for me I love Brooks’ music as well as his comedy. I can practically sing from memory the major songs of each of his movies and frequently will find that I am inadvertently singing them going down a hallway at work or in the car. Some Priests sing hymns or praise and worship songs, I sing Mel Brooks songs. C’est la vie.
The first film that Brooks music featured prominently was the original The Producers starring Zero Mostel, Gene Wilder and Dick Shawn which was reprised on Broadway and later on the big screen with Nathan Lane, Matthew Modine and Will Ferrell. The original Producers involved a Broadway producer who has seen better days (Mostel) and his new tax accountant (Wilder) trying to find the “world’s worst play” to produce as a flop which they would then keep the money raised for the play. They find their play written by former German Soldier Franz Liebkind the author of Springtime for Hitler “a gay romp with Adolph and Eva at Berchesgarten.” They hire the world’s worst director “Roger DeBris” to direct the play and raise a huge amount of money to produce it by selling well far more than 100% of the profits. Expecting the play to offend everyone they begin an early celebration before finding out that people love the play. The play becomes a critically acclaimed hit leading them to try to blow up the theater. The music of Brooks is prominently featured in all three. The irony of producers producing a guaranteed flop which becomes a hot on the big screen and then a real hit on Broadway is not to be lost. The theme song from the play Springtime for Hitler both in 1968 http://www.youtube.com/watch?v=ZGp0hCxSg98 and the later version http://www.youtube.com/watch?v=WCUfkMkVbwo also found its way into Blazing Saddles.
As an interesting side note Brooks has a cameo during the song in both versions where as a member of the cast he sings “Don’t be stupid, be a smarty come and join the Nazi Party.” The Producers also featured more Brooks’ songs including Love Power sung by Dick Shawn playing Lorenzo St. Dubois or LSD http://www.youtube.com/watch?v=BkYBJId7WZs Prisoners of Love featured in both the 1968 and the 2005 versions and When You Got it Flaunt it, I Want to Be a Producer and Keep it Gay all from the 2005 version are classic show tunes.
The Producer’s netted Brooks an Oscar for Best Original Screenplay. Brooks’ next two hit films Blazing Saddles and Young Frankenstein both featured interesting musical arrangements, The most memorable coming from Blazing Saddles which starred Cleavon Little, Gene Wilder, Harvey Korman and Madeline Kahn. The songs Blazing Saddles http://www.youtube.com/watch?v=7tyhpt6_pwc the Ballad of Rock Ridge http://www.youtube.com/watch?v=WiTKIbR69ss
He even managed to take an old tune into Young Frankenstein where Gene Wilder and Peter Boyle as Dr Frankenstein and the monster perform Puttin’ on the Ritz http://www.youtube.com/watch?v=VH2nQHPs4aA.
Brook’s next film’s High Anxiety, a takeoff on Hitchcock movies starring Brooks, Harvey Korman, Madeline Kahn and Cloris Leachman feature Brooks’ songs High Anxiety http://www.youtube.com/watch?v=Ki_UcRmELvs and If You Love Me Tell Me Loud. History of the World Part I which starred Brooks, Kahn, Korman and a host of comic greats would incorporate music is ways undreamed of by those who viewed these films.
In fact the musical segment The Spanish Inquisition featured the song The Inquisition http://www.youtube.com/watch?v=oppHeMlaLVM where Brooks plays the Spanish Inquisitor Torquemada in a spoof of the 1930s musical featuring dancing monks in wink tips, nuns who perform a synchronized swimming number as well as banter between Brooks and the various Jews and heretics that he is trying to convert. The irony of course being that Brooks is Jewish. The closing song Jews in Space http://www.youtube.com/watch?v=-_jLnrUXJNM is the trailer for a sequel which was never produced. In Spaceballs Brooks collaborated with others to produce the title song Spaceballs http://www.youtube.com/watch?v=ezyoKr0v-HQ which was performed by The Spinners.
Brooks would continue making movies which though not as popular brilliant as his earlier works would feature some funny songs written by Brooks. Robin Hood: Men in Tights featured Men in Tights http://www.youtube.com/watch?v=pc1am3KyYgA , Marian and the Sherwood Forrest Rap http://www.youtube.com/watch?v=APTXBm5Zp-Y The 1983 film To Be or Not to Be in which Brooks starred with his wife Anne Bancroft was about the Nazi invasion of Poland featured the Brooks songs A Little Peace and Ladies. A music video for this film entitled The Hitler Rap http://www.youtube.com/watch?v=yu2NqfISm9k was released as part of the promotion for the film.
I don’t know that we will ever see a comedic genius who is able to also incorporate music, especially classic Broadway style show tunes in about every movie that they make. Brooks in my mind is one of those once in a blue moon kind of entertainers whose creativity is not bound by words or gags but crafted through a diverse experience of live performance, film, writing and producing taking comedy to places where his edginess and occasional social commentary was heard and appreciated by middle America. That is the genius of Mel Brooks.