Category Archives: film

Padre Steve’s Horrific Humor: Young Frankenstein

Horror and comedy, like peanut butter cups they are two great tastes that go great together. I think that the funniest of this genre are those based on the classics such as Frankenstein and Dracula. There are other films that fit this category such as Love at First Bite a Dracula film set in the late 1970s staring George Hamilton, Jill St. John and Arte Johnson.  Other twists on the Dracula story is Mel Brooks Dracula Dead and Loving It which starred Leslie Nielsen, Peter McNichol, Harvey Korman and Amy Yasbeck and Once Bitten starring Lauren Hutton.  I also like some that are new creations in their own right such as Ghostbusters.  However, for me the film that is the real classic among all of them is Young Frankenstein. So in the spirit of Halloween I submit to you Padre Steve’s favorite all-time Horror Comedy Young Frankenstein.

Of course the first on my list is Mel Brooks classic Young Frankenstein which came out in 1974, the same year as Brooks’ other classic of Western filmography Brazing Saddles. Young Frankenstein is the classic humorous take on the Mary Beth Shelley Frankenstein novel and subsequent films.  It starred Gene Wilder, Madeline Kahn, Marty Feldman, Terry Garr, Cloris Leachman and the late Peter Boyle as the Monster Brooks. Brooks used the original set from the original Frankenstein and brought the Frankenstein saga a hilarious twist. It is hard to forget some of the great scenes such as when Dr. Frankenstein discovers that he has implanted an abnormal brain in the monster, and the subsequent game of charades as Inga and Igor try to guess what the Doctor wants as he struggles in the grasp of the Monster “give him a sedagive.” http://www.youtube.com/watch?v=wP5Gcuwp2Sg Of course after a “sedative” has been administered the conversation between the Dr. Frankenstein and Igor is classic.  The Doctor sits down and questions Igor about the brain about the brain and Igor tells the Doctor that the brain belonged to “Abby someone, Abby Normal.”  http://www.youtube.com/watch?v=dQ_pKqiB5Rg

There is the scene where the Monster escapes and comes to a small house where a blind monk played by Gene Hackman awaits.  The monk offers the Monster hospitality which turns into a horror story with the Monster as the victim.  The Monster has hot soup spilled on his lap, his mug of wine shattered and finger set afire by the well meaning monk and runs out in terror.  http://www.youtube.com/watch?v=cw2IIU0a9qw&feature=related

Of course there all of the one-liners and gags interspersed through the film at a cyclic rate which leave the audience laughing.  I remember seeing the film for the first time when it came out in 1974 in Stockton California.  The opening scene where someone opens the crypt of the elder Dr. Frankenstein to retrieve his diary and has to fight the skeleton is just the beginning of the fun.  The fun continues with the young Dr. Frankenstein, a neurosurgeon saying that his name was pronounced “Fronkensteen” rather than Frankenstein when questioned by a medical student about his grandfather’s experiments.  One can’t forget the scene in the graveyard when the Doctor and Igor are digging up the body of the monster.  When the Doctor complains Igor utters the immortal line “it could be worse it could be raining” which of course was followed by a thunderclap and downpour.

http://www.youtube.com/watch?v=GHb7DJDCptA&feature=related

Of course we cannot leave out Cloris Leachman as Frau Blucher and every time that her name was said that the horses would “whiney.” http://www.youtube.com/watch?v=y-wTbNIsopg&feature=related

Then there is the sequence after Doctor Frankenstein’s arrival in Transylvania and rides to his castle with Igor and Inga.  The Doctor hears a wolf howling in the distance and asks “Werewolf” and Igor answers “there wolf.” http://www.youtube.com/watch?v=gQQtgx4iG8E&feature=related This sequence of course includes the part where Inga asks Doctor Frankenstein about having a “roll in the hay” http://www.youtube.com/watch?v=vqClWdOcWog&feature=related and their arrival at the castle.  Dr. Frankenstein sees a large set of door knockers as he is lifting Inga off the wagon saying “what knockers” and Inga answering “well thank you Doctor.” http://www.youtube.com/watch?v=t9K9wiH2Lko

Likewise there is the segment where Madeline Kahn playing Dr. Frankenstein’s fiancé Elizabeth is abducted by the Monster. The Monster has fallen in love with her as he takes her she discovers something that leaves her singing “oh sweet mystery of life at last I’ve found you.”

http://www.youtube.com/watch?v=t9K9wiH2Lko

Of course this is followed at the end of the film when the newlywed Doctor and Inga are in their bedroom and she asks him what he received from the Monster and then begins to sing “oh sweet mystery of life at last I’ve found you” when she discovers exactly what her husband received from the Monster.

This has to be one of the greatest horror-comedies of all time if not the very best.  Everything from the sets to the gags and great interactions among the characters makes this one of the greatest if not the greatest film of its genre ever made. The film is so stocked with great lines and scenes that there are too many to mention here, so if you never have seen this comedy classic go get it.

So Happy Halloween my friends and in the midst of all the blood and gore films, have a good laugh with Young Frankenstein.

Peace.

Padre Steve+

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Padre Steve’s Favorite Baseball Movies

I love all things baseball as my regular readers can tell you. In fact God speaks to me through baseball, even baseball movies when I cannot get to a ball park.  Of course as most readers know I am also a big fan of comedy and when baseball and comedy get together it is like beer and pizza, two great tastes that go great together.  Yeah, you were thinking I would say peanut butter cups, what a waste of calories, but I digress.

I love baseball movies, comedies for sure but also serious films.  Here are my favorite baseball movies in no particular order, although I’m sure that the order I place them has some subconscious meaning or maybe it doesn’t.  But whatever, these are some of my favorite baseball movies with a few reason why I like them.

Bull Durham


Ebby Calvin LaLoosh: How come you don’t like me?
Crash Davis: Because you don’t respect yourself, which is your problem. But you don’t respect the game, and that’s my problem. You got a gift.

http://www.youtube.com/watch?v=_-mBb8Fyup0

I guess my favorite baseball movie of all time has to be Bull Durham starring Kevin Costner, Susan Sarandon and Tim Robbins. Set in the Single-A Carolina League the film is about a journeyman minor league Catcher named Crash Davis played by Kevin Costner. Davis is a journeyman but was playing in Triple A at the beginning of the season and is sent down to Durham to help a top prospect pitcher named Ebby Calvin LaLoosh get ready for the major leagues.  http://www.youtube.com/watch?v=ppBt1Igsg-U&feature=related

In the process Davis meets Annie Savoy (Susan Sarandon) a part time junior college English instructor and baseball guru that hooks up with a player on the team for 142 games.  The movie is a great sports and life movie as it deals with transitions. For Davis it is the transition from active ball player to life and love after baseball, for LaLoosh who goes from minor league prospect to the majors and Annie Savoy who falls for a man for more than a season.  For the past ten years or so I have identified with Crash Davis, the journeyman who ends up mentoring young players.  In fact I recommend this movie to young chaplains that seek out my counsel simply because many are wild like “Nuke” LaLoosh and simply need a blunt and honest veteran at the end of his career to bring them along. http://www.youtube.com/watch?v=ppBt1Igsg-U

One of my favorite scenes in this movie is when Crash gets throw out of a game. It reminds me of when I got thrown out of the Army Chaplain Officer Advanced Course in October 1992. http://www.youtube.com/watch?v=IHZhDdcE2Iw&feature=related

Major League


“Jesus, I like him very much, but he no help with curveball.” Pedro Cerrano

The film Major League is another of my favorites. Set in Cleveland in the late 1980s the film as about a perpetually losing team with a new owner who wants to move the historic franchise from Cleveland to Miami.  Her instruction to the team’s General Manager is to lose enough games to ensure that so few fans will come that she can legally move the team.  A team of misfits is put together veterans who have seen their best times, overpaid free agents that don’t perform and unknown rookies.  Once again there is the veteran but somewhat washed up catcher this time Jake Taylor played by Tom Berenger who is the glue on a team that includes a Cuban defector who can’t hit a curve ball named Pedro Cerrano played by Dennis Haysbert, a underperforming veteran Third Baseman named Roger Dorn played by Corbin Bernsen http://www.youtube.com/watch?v=1X8552DxqOk and two rookies and outfielder Willie Mays Hays played by Wesley Snipes and pitcher Ricky Vaughn played by Charlie Sheen.  As the team has everything taken from them by owner Rachel Phelps played by Margaret Whitton they embark on a journey from cellar dwellers to American League East Champions.  Once again I relate to the veteran catcher but I also have an affinity for the rebellious rookie Ricky “Wild Thing” Vaughn.

For the Love of the Game


“And you know Steve you get the feeling that Billy Chapel isn’t pitching against left handers, he isn’t pitching against pinch hitters, he isn’t pitching against the Yankees. He’s pitching against time. He’s pitching against the future, against age, and even when you think about his career, against ending. And tonight I think he might be able to use that aching old arm one more time to push the sun back up in the sky and give us one more day of summer.” Vin Scully playing himself in For the Love of the Game

http://www.youtube.com/watch?v=nAIixu-wL2I&feature=related

Another of my favorites is For the Love of the Game based on the Michael Shaara novel The Perfect Game. This is a film about a pitcher at the end of his career named Billy Chapel played by Kevin Costner. Chapel has been with the team 19 years and has seen good times and bad, pitched in the World Series and suffered a grievous injury to his pitching hand in the off season. He is a man who has struggled with love yet forged lasting friendships with teammates, even those now on other teams.  The movie is set at Yankee Stadium with Chapel pitching in a meaningless game for the cellar dweller Tigers against the playoff bound New York Yankees.  The game revolves around Chapel and his relationships with his catcher, Gus Sinski (John C. Reilly), his lover Jane Aubrey (Kelly Preston), her daughter Heather (Gina Malone), former teammate and current Yankee Davis Birch and the team owner Gary Wheeler (Brian Cox) who is in the process of selling the team. The new owners are looking to deal Chapel to another team, likely the San Francisco Giants when the season is over and Chapel has to decide if he is going to be traded or retire.  With all of this swirling in his mind Billy Chapel pitches a perfect game and with every pitch the audience is introduced to the people and events that shaped his life.  One of the most poignant moments is toward the end of the game when the pain of his injured hand is killing him and his is tired that his catcher Gus pays a visit to the mount and says “the boys are all here for ya, we’ll back you up, we’ll be there, cause, Billy, we don’t stink right now. We’re the best team in baseball, right now, right this minute, because of you. You’re the reason. We’re not gonna screw that up, we’re gonna be awesome for you right now. Just throw.” http://www.youtube.com/watch?v=WLrqdqBfqcw&feature=related

The team which had nothing to play for finds its heart and soul backing up their pitcher making great plays and getting the all critical hits.  I relate to Billy Chapel a lot because of my long career with all of its ups and downs.  The game is a microcosm of life and tells a story through baseball that runs deeper than the game itself. It is about life, family, friendship, love, commitment, good times and bad.  I cannot watch this movie without being moved to tears. Of course having Vin Scully call the game as if it were a real game makes it all the better.

The Natural


Iris Gaines: You know, I believe we have two lives.
Roy Hobbs: How… what do you mean?
Iris Gaines: The life we learn with and the life we live with after that.

http://www.youtube.com/watch?v=NS0Q9sI-wuo&feature=related

The Natural adapted from the 1952 novel by the same name by Bernard Malamud.  In the film Robert Redford plays Roy Hobbs a hot prospect that is badly wounded by a female admirer who shoots him.  After years away from the game he returns to the game as an old rookie.  The novel is a tragedy while the movie was changed to make Hobbs triumph over adversity.  Hobbs has to battle his past, the press and his age and the ever present affects of his injury as he plays a game that he loves all the while kindling a relationship with Iris Gaines played by Glenn Close.  After a remarkable season Hobbs is sidelined by after effects of the shooting and the press publicizing past.  Going to bat out of his sick bed Hobbs plays in the deciding game of the pennant. He comes to bat with 2 on and 2 out in the bottom of the 9th inning bleeding from his side due to the injury. Hobbs crushes a pitch that goes just foul and breaks his bat which had been carved from the wood of a tree struck by lightning. He asks his batboy for a bat saying “Pick me out a winner Bobby” and goes back to the batter’s box.  As the catcher attempts to exploit Hobbs injury call for an inside fastball which Hobbs takes yard into the lights causing them to explode as he rounds the bases as the Knights win the pennant.

http://www.youtube.com/watch?v=54-6yimtjtA

Field of Dreams


“The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time. This field, this game: it’s a part of our past, Ray. It reminds of us of all that once was good and it could be again. Oh… people will come Ray. People will most definitely come.” Terrance Mann (James Earl Jones)

You know we just don’t recognize the most significant moments of our lives while they’re happening. Back then I thought, well, there’ll be other days. I didn’t realize that that was the only day.” Dr. Archibald “Moonlight” Graham (Burt Lancaster)

The last film that I will discuss in this post is Field of Dreams. This is one of the three films that I call the Kevin Costner Baseball trilogy and like For the Love of the Game was adapted from a novel, in this case Shoeless Joe by W. P. Kinsella. The film is a baseball fantasy about a novice farmer named Ray Kinsella (Costner) the son of a baseball player who during the 1960s walks away from his father and baseball. While in his fields he hears a voice saying “If you build it, he will come.” He has a vision of a baseball field and plows under some of his crops to construct a field. Nothing happens at first but the next summer “Shoeless Joe Jackson” (Ray Liotta) shows up and after meeting Ray brings with him the seven other players from the 1919 Chicago White Sox implicated in the “Black Sox” scandal and banned from baseball.  The film is a fantasy, a search for redemption by Kinsella who tries to make sense of the voice and the ball players.  Eventually goes to Boston to find 1960s author and activist Terrance Mann (based on J. D. Salinger) played by James Earl Jones after he hears the voice say “ease his pain.” He meets with the reclusive and somewhat unfriendly Mann and it does not go well.

Ray Kinsella: [being rushed out of Mann’s loft] You’ve changed – you know that?
Terence Mann: Yes – I suppose I have! How about this: “Peace, love, dope”? Now get the hell out of here!

He finally gets Mann to go with him to a Red Sox game but even that does not go well. Ray thinks that he has wasted his time when Mann stops him and the pair drives to Chisholm Minnesota to find a former ballplayer named Archibald “Moonlight Graham.” They discover Graham, the beloved town doctor died 16 years before.  As Kinsella walks the street he finds himself transported back in time and meets the old Doctor Graham.  He cannot get Graham to come with them but on the road back home he and Mann pick up a young hitch hiker looking to play baseball, named Archie Graham. They arrive back home and while the players who have grown in number they find that his farm is being foreclosed on be foreclosed on by a group of businessmen and bankers headed up by his brother in law.

http://www.hulu.com/watch/12384/field-of-dreams-people-will-come

During the argument between Ray and his brother in law the daughter fall off the small set of bleachers and appears to be severely injured.  Young Archie Graham walks off the field, becomes old doctor Graham and saves the girl’s life. The brother in law is transformed by what happened and sees the ballplayers for the first time. He stops the action against his Ray who after thinking Ray was crazy finally sees the magic of this diamond as Archie Graham becomes the elderly Doctor Moonlight Graham and saves the Kinsella’s daughter’s life after she fell from the bleachers.   Mann gets to go with Shoeless Joe and the others into the mystical cornfield and a young ballplayer, Ray’s father John Kinsella is introduced. Ray recognizes him introduces him to his family without identifying him as his father or admitting that he is his son. The classic exchange between the two explains the essence of the film.

John Kinsella: Is this heaven?
Ray Kinsella: It’s Iowa.
John Kinsella: Iowa? I could have sworn this was heaven.
[John starts to walk away]
Ray Kinsella: Is there a heaven?
John Kinsella: Oh yeah. It’s the place where dreams come true.
[Ray looks around, seeing his wife playing with their daughter on the porch]
Ray Kinsella: Maybe this is heaven

The two end up “having a catch” as the lights of cars wind across the Iowa farmlands heading to this little ball field.  The movie has a special place in my heart because of the father-son relationship. When my dad returned from Vietnam I had emotionally moved away from him and baseball. I kept an interest in the game but for a number of years it was not a passion.  The exchange between Ray Kinsella and Terrance Mann still gets me, now later in life my dad and I reconnected as father and son and I came back to baseball.

Ray Kinsella: By the time I was ten, playing baseball got to be like eating vegetables or taking out the garbage. So when I was 14, I started to refuse. Could you believe that? An American boy refusing to play catch with his father.
Terence Mann: Why 14?
Ray Kinsella: That’s when I read “The Boat Rocker” by Terence Mann.
Terence Mann: [rolling his eyes] Oh, God.
Ray Kinsella: Never played catch with him again.
Terence Mann: You see? That’s the sort of crap people are always trying to lay on me. It’s not my fault you wouldn’t play catch with your father.

In 2004 while going to a reunion of my Continental Singers tour in Kansas City Judy and I made a few stops watching minor league games in Louisville and Cedar Rapids before making a trip  to Dyersville Iowa where she indulged me by playing catch with me on the Field of Dreams. If you build it he will come…I did.

I could go on about other baseball movies as there are many more but these above the others are the ones that I find a connection with.

Peace

Padre Steve+

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Laughing to the Music: The Musical Genius of Mel Brooks

The Zany Mel Brooks as the Governor in Blazing Saddles

When most people think of legendary comedian Mel Brooks they are likely to think of the hilarious shtick of such movies as Blazing Saddles, Young Frankenstein and Spaceballs, the Movie, DVD or Video. Brooks is a comic genius but mixed in with the comedic side of Brooks he has a musical side that captures some of the most popular genres of yesteryear and overlays them with incredibly witty lyrics and catchy music.  Whether the music is Broadway musical, crooning, or even something out of the old west brooks brings a comedic edginess that can offend and delight at the same time. Today I will share a bit about the songs and soundtracks from the various Brooks films interspersed with the songs from the films.

Teri Garr, Gene Wilder and Marty Feldman in Young Frankenstein

Now I know that some people will say and rightly so that I am just a bit warped in my worldview.  I’m okay with that, in fact I would hate not to be as I think that life would be boring.  Maybe that is why I like Brooks so much.  He demonstrates that rare form of being able to entertain and even provide social commentary on issues like racism and discrimination in Blazing Saddles.  Part of how he did this so successfully was in the music that he often wrote for his movies.  It is one of those unusual things that most people, even Brooks aficionados have no idea that Brooks was the genius behind the music in his movies.

As for me I love Brooks’ music as well as his comedy.  I can practically sing from memory the major songs of each of his movies and frequently will find that I am inadvertently singing them going down a hallway at work or in the car. Some Priests sing hymns or praise and worship songs, I sing Mel Brooks songs. C’est la vie.

Springtime for Hitler 1968

The first film that Brooks music featured prominently was the original The Producers starring Zero Mostel, Gene Wilder and Dick Shawn which was reprised on Broadway and later on the big screen with Nathan Lane, Matthew Modine and Will Ferrell. The original Producers involved a Broadway producer who has seen better days (Mostel) and his new tax accountant (Wilder) trying to find the “world’s worst play” to produce as a flop which they would then keep the money raised for the play.  They find their play written by former German Soldier Franz Liebkind the author of Springtime for Hitler “a gay romp with Adolph and Eva at Berchesgarten.”  They hire the world’s worst director “Roger DeBris” to direct the play and raise a huge amount of money to produce it by selling well far more than 100% of the profits.  Expecting the play to offend everyone they begin an early celebration before finding out that people love the play. The play becomes a critically acclaimed hit leading them to try to blow up the theater.  The music of Brooks is prominently featured in all three. The irony of producers producing a guaranteed flop which becomes a hot on the big screen and then a real hit on Broadway is not to be lost.  The theme song from the play Springtime for Hitler both in 1968 http://www.youtube.com/watch?v=ZGp0hCxSg98 and the later version http://www.youtube.com/watch?v=WCUfkMkVbwo also found its way into Blazing Saddles.

Springtime for Hitler 2005

As an interesting side note Brooks has a cameo during the song in both versions where as a member of the cast he sings “Don’t be stupid, be a smarty come and join the Nazi Party.” The Producers also featured more Brooks’ songs including Love Power sung by Dick Shawn playing Lorenzo St. Dubois or LSD http://www.youtube.com/watch?v=BkYBJId7WZs Prisoners of Love featured in both the 1968 and the 2005 versions and When You Got it Flaunt it, I Want to Be a Producer and Keep it Gay all from the 2005 version are classic show tunes.

Cleavon Little and Gene Wilder as Sheriff Bart and the Waco Kid in Blazing Saddles

The Producer’s netted Brooks an Oscar for Best Original Screenplay.  Brooks’ next two hit films Blazing Saddles and Young Frankenstein both featured interesting musical arrangements, The most memorable coming from Blazing Saddles which starred Cleavon Little, Gene Wilder, Harvey Korman and Madeline Kahn.  The songs Blazing Saddles http://www.youtube.com/watch?v=7tyhpt6_pwc the Ballad of Rock Ridge http://www.youtube.com/watch?v=WiTKIbR69ss

Madeline Kahn as Lilly Von Schtupp singing “I’m Tired”

I’m Tired http://www.youtube.com/watch?v=cQU0_PHUB2E and the French Mistake featuring Dom DeLuise http://www.youtube.com/watch?v=JMK6lzmSk2o are all Brooks’ work.

The French Mistake Musical Scene from Blazing Saddles

He even managed to take an old tune into Young Frankenstein where Gene Wilder and Peter Boyle as Dr Frankenstein and the monster perform Puttin’ on the Ritz http://www.youtube.com/watch?v=VH2nQHPs4aA.

Dr Frankenstein and the Monster (Wilder and Peter Boyle) singing “Puttin’ on the Ritz”

Brook’s next film’s High Anxiety, a takeoff on Hitchcock movies starring Brooks, Harvey Korman, Madeline Kahn and Cloris Leachman feature Brooks’ songs High Anxiety http://www.youtube.com/watch?v=Ki_UcRmELvs and If You Love Me Tell Me Loud. History of the World Part I which starred Brooks, Kahn, Korman and a host of comic greats would incorporate music is ways undreamed of by those who viewed these films.

The Inquisition from History of the World Part One

In fact the musical segment The Spanish Inquisition featured the song The Inquisition http://www.youtube.com/watch?v=oppHeMlaLVM where Brooks plays the Spanish Inquisitor Torquemada in a spoof of the 1930s musical featuring dancing monks in wink tips, nuns who perform a synchronized swimming number as well as banter between Brooks and the various Jews and heretics that he is trying to convert. The irony of course being that Brooks is Jewish.  The closing song Jews in Space http://www.youtube.com/watch?v=-_jLnrUXJNM is the trailer for a sequel which was never produced. In Spaceballs Brooks collaborated with others to produce the title song Spaceballs http://www.youtube.com/watch?v=ezyoKr0v-HQ which was performed by The Spinners.

Men in Tights

Brooks would continue making movies which though not as popular brilliant as his earlier works would feature some funny songs written by Brooks.  Robin Hood: Men in Tights featured Men in Tights http://www.youtube.com/watch?v=pc1am3KyYgA , Marian and the Sherwood Forrest Rap http://www.youtube.com/watch?v=APTXBm5Zp-Y The 1983 film To Be or Not to Be in which Brooks starred with his wife Anne Bancroft was about the Nazi invasion of Poland featured the Brooks songs A Little Peace and Ladies. A music video for this film entitled The Hitler Rap http://www.youtube.com/watch?v=yu2NqfISm9k was released as part of the promotion for the film.

Hitler as a polish Jew playing Hitler in a Parody in pre-War Warsaw in To Be or Not to Be

I don’t know that we will ever see a comedic genius who is able to also incorporate music, especially classic Broadway style show tunes in about every movie that they make.  Brooks in my mind is one of those once in a blue moon kind of entertainers whose creativity is not bound by words or gags but crafted through a diverse experience of live performance, film, writing and producing taking comedy to places where his edginess and occasional social commentary was heard and appreciated by middle America.  That is the genius of Mel Brooks.

Peace,

Padre Steve+

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Filed under film, music, purely humorous